W
|
Date |
Topic |
Class Activity and Required Readings |
Assign-ment |
Preview hour |
Review hour |
1 |
Feb. 17 |
Introduction |
Course introduction and self-introductions
“Introduction” (pp. 1-13)
Assigning presentations and seat arrangement
Timer, housekeeper, LINE group |
Readings |
3 |
3 |
2
|
Feb. 24 |
Fiction (Plot and Symbol) |
Fiction: Reading, Responding, Writing (pp. 16-27)
1. Faulkner [15] “A Rose for Emily” (pp. 305-12)
2. Hawthorne [15] “The Birth-Mark” (pp. 149-160) |
Readings |
3 |
3 |
3
|
Mar. 3 |
Fiction (Narration and Point of View) |
3. Joyce [15] “Araby” (pp. 127-31)
4. Hemingway [15] “Hills Like White Elephants” (pp. 329-32) |
Readings |
3 |
3 |
4
|
Mar. 10 |
Fiction (Theme and Setting) |
5. Gilman [15] “The Yellow-Wall Paper” (pp. 317-28)
6. Tan [15] “A Pair of Tickets” (pp. 393-406) |
Readings |
3 |
3 |
5
|
Mar. 17 |
Fiction (Theme, Setting and Sample Writing) |
7. Kafka [15] “A Hunger Artist” (pp. 333-39)
8. Kawabata [15] “The Grasshopper and the Bell Cricket” (pp. 186-89)
Sample Writing: “Response Report on ‘Cathedral’” (pp. 37-41)
Sample Writing: Essay (pp. 42-45) |
Readings |
3 |
3 |
6
|
Mar. 24 |
Poetry (Defining, Reading, Responding, Writing) |
Poetry: Reading, Responding, Writing (pp. 418-27)
9. Wordsworth [10] “I wandered lonely as a cloud” (pp. 428-29)
10. Pope [10] “Sound and Sense” (pp. 545-49)
11. Keats [10] “Ode to a Nightingale” (pp. 533-35) |
Readings |
3 |
3 |
7
|
Mar. 31 |
Poetry (Sonnets and Traditional Forms) |
12. Shakespeare [10] “Shall I compare thee to a summer’s day?” (p. 522)
Shakespeare “Let me not to the marriage of true minds” (pp. 591-92) (32) [8]
Wordsworth “Nuns Fret Not” (pp. 593) (33) [8]
13. Browning [10] “How Do I Love Thee” (p. 594)
14. Thomas [10] “Do Not Go Gentle into That Good Night” (pp. 578-79)
15. Collins [10] “Sonnet” (p. 598)
Sample Writing: Comparative Essay (pp. 600-603) |
Readings |
3 |
3 |
8
|
Apr. 7 |
Mid-term Exam
|
Taking the mid-term exam |
Exam |
|
|
9 |
Apr. 14 |
Lecture by Prof. Lai
|
Prof. Lai Chun-Wei will give a talk on Deleuze, a French literary theorist and thinker |
|
|
|
10
|
Apr. 21 |
Poetry (Voice, Setting, Symbol) |
Wordsworth “She Dwelt among the Untrodden Ways” (pp. 456-57) (34) [8]
16. Arnold [ 10] “Dover Beach” (pp. 469-70)
17. Hecht [10] “Dover Bitch” (PDF)
18. Lee [10] “Persimmons” (pp. 471-73)
19. Donne [10] “The Flea” (p. 478)
Donne “Death, be not proud” (p. 627) (35) [8] |
Readings |
3 |
3 |
11
|
Apr. 28 |
|
20. Frost [10] “The Road Not Taken” (pp. 535-36)
Frost “Stopping by Woods on a Snowy Evening” (p. 628) (36) [8]
Keats “Ode on a Grecian Urn” (pp. 634-35) (37) [8]
21. Parker [10] “One Perfect Rose” (p. 531)
22. Blake [10] “Sick Rose” (pp. 532-33) |
|
3 |
3 |
12
|
May 5 |
Poetry (Imagery and Symbol) |
23. Dickinson [10] “Because I could not stop for Death—” (pp. 517-18)
Dickinson “Wild Nights—Wild Nights!” (p. 626) (38) [8]
Dickinson “‘Hope’ Is the Thing with Feathers—” (p. 624) (39) [8]
24. Pastan [10] “To a Daughter Leaving Home” (p. 639-40)
25. Tennyson [10] “Ulysses” (pp. 651-52) |
Readings |
3 |
3 |
13
|
May 12 |
Drama: Trifles |
Drama: Reading, Responding, Writing (pp. 676-78)
26. Glaspell [20] Trifles (pp. 679-90)
Sample Writing: Response Paper (pp. 698-99) (40) [8]
Sample Writing: Essay (pp. 700-02) (41) [8] |
Readings |
3 |
3 |
14
|
May 19 |
Drama: A Doll House |
Elements of Drama (pp. 703-13) (42) [8]
27. Ibsen [20] A Doll House (pp. 880-929) |
Readings |
3 |
3 |
15
|
May 26 |
Critical Approaches |
28-31. Critical approaches (16 terms) [15]: theory, term, theorist, representative work, exemplary application (pp. A1-23) |
Readings |
3 |
3 |
16 |
Jun. 2 |
Final Exam |
Defining theoretical terms of contemporary literary approaches and identifying10-20 quotations |
|
3 |
3 |
17*
|
Jun. 9 |
Writing Week |
Writing a paper, creative story, or personal response [1500 words/5 pages]
Cf: Writing about Literature (pp. 1040-129) |
|
3 |
3 |
18*
|
Jun. 16 |
Paper/report Submission from Home
(LINE Group) [deadline: 16:00] |
Submitting one of the following:
- a term paper according to sample writings and MLA style
- a creative story rewriting the end of a story, play, or poem.
- a creative story rewriting a story, play or poem into a different genre
- a personal response essay
|
Paper/report |
3 |
3 |