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課程介紹與影視表演基礎 Introduction to Film Acting |
課程目標介紹,影視與舞台表演的基本差異,影視表演的核心概念
指定閱讀: Stanislavski, An Actor Prepares, Ch. 1-2
Introduction to course objectives, fundamental differences between film and stage acting, core concepts of film acting |
討論課程目標,進行基礎表達練習,理解影視表演的核心概念
Discuss course objectives, perform foundational expression exercises to introduce core concepts in film acting. |
2 |
鏡頭語言與角色表達 Cinematic Expression & Character |
角色表達與鏡頭語言的關聯,專注於面部表情和肢體語言在鏡頭中的運用
指定閱讀: Hagen, Respect for Acting, Ch. 3, 6
The relationship between character expression and cinematic language, focusing on facial expressions and body language on camera |
無台詞表情練習,專注鏡頭前表情和肢體語言控制
Silent exercises focusing on facial expressions and body language in front of the camera. |
3 |
基礎表演工作坊 Workshop 1: Acting Fundamentals |
進行基礎的鏡頭前肢體控制和情緒表達,奠定影視表演的基礎技巧
指定閱讀: Hagen, Respect for Acting, Ch. 2-3
Basic on-camera body control and emotional expression to build foundational acting skills for film |
鏡頭前的基礎表演練習,專注於情緒表達和身體語言控制
Basic on-camera exercises focusing on emotional expression and body language control. |
4 |
角色認知與情緒表現 Character Perception & Emotional Expression |
提升感知力和信念感,增加角色真實性和說服力
指定閱讀: Chekhov, To the Actor, Ch. 2
Developing perception and conviction to enhance character authenticity and impact |
小組練習感知力和信念感,增強情緒表達的真實性
Group exercises to develop character perception and conviction, focusing on authentic emotional expression. |
5 |
台詞表達技巧與語調訓練 Dialogue Delivery & Tone Training |
台詞表達技巧與語調控制,提升自然表達及情感傳遞
指定閱讀: Linklater, Freeing the Natural Voice, Ch. 4-5
Dialogue delivery techniques and tone control to improve naturalness and emotional impact |
台詞演練及語調模擬練習,增強台詞流暢性
Practice dialogue delivery and tone control to enhance natural expression and emotional conveyance. |
6 |
選角與適合度分析 Casting & Suitability Analysis |
探討從導演角度進行選角,並分析選角考量,包括角色形象的一致性、演員的表現潛力及適合度。
指定閱讀: Rudin, Casting the Actor, Ch. 1-2
Examining casting from a director’s perspective, with considerations on character consistency, actor potential, and suitability for roles. |
模擬選角流程,學生從導演角度分析候選人並提供建議,著重於角色和演員形象的一致性及表現潛力。
Conduct mock casting sessions where students analyze candidates from a director's perspective, focusing on character-actor consistency and performance potential. |
7 |
角色目標與動機 Character Objectives & Motivation |
分析角色目標及動機,增強表演一致性
指定閱讀: Adler, The Art of Acting, Ch. 1, 4
Analyzing character objectives and motivations to strengthen performance consistency |
分組進行角色目標和動機分析
Group exercises on character objectives and motivations for consistent performance. |
8 |
劇本解讀與角色創作 Script Interpretation & Character Creation |
劇本解讀技巧增強角色深度,探索角色在劇本中的定位
指定閱讀: Shurtleff, Audition, Ch. 3, 6 |
演練劇本解讀場景,強化角色表現
Practice scenes focusing on script interpretation to deepen character portrayal. |
9 |
導演演員 Directing Actors |
導演如何指導演員達到預期角色效果,包括場面調度與演員鏡頭互動的技巧
指定閱讀: Weston, Directing Actors, Ch. 2, 7
How directors guide actors to achieve intended character outcomes, focusing on techniques in scene blocking and actor-camera interaction |
學生模擬導演角色進行場面調度與鏡頭互動練習,觀察對角色塑造的影響
Students practice scene blocking and actor-camera interaction, observing the impact on character development. |
10 |
期中報告準備 / Midterm Report Preparation
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11 |
影視拍攝的鏡頭需求與技術 Camera Requirements in Film Acting |
近景、中景、遠景等鏡頭對表演的不同需求,並探討鏡頭與空間互動
指定閱讀: Weston, Directing Actors, Ch. 5-6
Exploring different camera shot requirements (close-up, medium, long) and interaction with space |
練習不同鏡頭需求下的表演,適應情緒與空間轉換
Practice scenes adapting to various camera shot types, focusing on emotional and spatial adjustments. |
12 |
場景動態走位 Dynamic Scene Blocking |
學習在場景中動態走位及與鏡頭的互動,增強靈活性
指定閱讀: Merlin, The Complete Stanislavsky Toolkit, Ch. 5, 7
Learning dynamic blocking and interaction with the camera to improve flexibility |
動態場景走位練習,強化流暢性與鏡頭互動
Practice dynamic scene blocking to enhance fluidity and interaction with the camera. |
13 |
進階表演工作坊:即興與情緒高峰 Advanced Acting Workshop: Improvisation & Emotional Peaks |
合併即興表演與情緒高峰處理,增強角色應對情境變化和高情緒場景的適應能力
指定閱讀: Johnstone, Impro, Ch. 3, 4
Combining improvisation and emotional peak management, enhancing adaptability to situational changes and intense scenes |
高情緒場景的即興練習,強化情境反應及情緒控制
Practice high-intensity scenes and improvisational exercises for adaptability and emotional control. |
14 |
角色創作進階:情感連貫性 Advanced Character Creation: Emotional Continuity |
掌握角色的情感連貫性技巧,保持角色內在的真實性
指定閱讀: Stanislavski, Building a Character, Ch. 5
Techniques for maintaining emotional continuity, ensuring internal character consistency |
學生練習情緒連貫性,確保角色的一致性和真實性
Practice emotional continuity to ensure character consistency and authenticity. |
15 |
鏡頭前的綜合表現力:自信、表達與群眾魅力 On-Camera Expressive Skills: Confidence, Communication & Charisma |
發展鏡頭前的專業形象,著重自信、表達力及群眾魅力的培養,以適應新聞主播、網紅等不同鏡頭前角色的需求。
指定閱讀: Stanislavski, Creating a Role, Ch. 3
Developing a professional on-camera presence with a focus on confidence, communication, and charisma, suited for varied roles like news anchors and social media influencers. |
模擬多種鏡頭情境,讓學生練習在不同場景中的表達及自信,培養在新聞播報及自媒體展示中的專業形象及群眾魅力。
Simulate diverse on-camera scenarios, allowing students to practice expression and confidence, cultivating a professional image and charisma for news reporting and social media contexts. |
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期末報告準備 / Final Report Preparation
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期末呈現(第一部分) Final Presentation (Part I) |
Student final presentations: character-driven scenes or audition performances.
學生展示期末項目:角色驅動場景或試鏡表演 |
Students present final projects, receiving live feedback.
學生展示期末項目,進行現場反饋與討論 |
18 |
期末呈現(第二部分)與課程總結 Final Presentation (Part II) & Reflection |
Completion of final projects and course reflection on learning and application.
完成期末項目並反思課程所學 |
Students discuss learning insights and future applications of skills.
學生分享學習收穫,討論課程技能在未來的應用 |