Six to ten hours per week will probably be sufficient for most students.
Week 1: Introduction to course. Shakespeare's career and biography. Reading: Meres, Jonson, Dryden, Johnson, Miola
Week 2: Introduction to Shakespeare criticism. Reading: Midsummer Night's Dream
Week 3: Midsummer Night's Dream. Reading: Stern, Hawkes, Nuttall (1)
Week 4: Criticism on Midsummer Night's Dream. Reading: Twelfth Night.
Week 5: Twelfth Night. Reading: Hazlitt, Howard, Vickers (1)
Week 6: Criticism on Twelfth Night. Reading: Romeo and Juliet
Week 7: Romeo and Juliet. Reading: Nuttall (2), Parker
Week 8: Criticism on Romeo and Juliet. Reading: Othello
Week 9: Othello. Reading: Knight, Bradley, Cavell
Week 10: Criticism on Othello. Reading: Hamlet
Week 11: Hamlet. Reading: Eliot, Knights, Jones
Week 12: Criticism on Hamlet. Reading: Henry IV, Part One
Week 13: Henry IV, Part One. Reading: Tillyard, Greenblatt (1), Vickers (2)
Week 14: Criticism on Henry IV, Part One. Reading: Henry V
Week 15: Henry V. Reading: Tillyard, The Winter's Tale
Week 16: The Winter's Tale. Reading: Van Doren, Felperin
Week 17: Criticism on The Winter's Tale. Reading: The Tempest, Greenblatt (2)
Week 18: The Tempest.
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required:
Shakespeare's works:
Arden, Oxford, or New Cambridge editions of sonnets and individual plays, or
Arden, Norton, or RSC Complete Works
critical articles and book chapters:
Meres, Jonson, Dryden, Johnson, Miola: Meres, Francis. Palladis Tamia (selections); Jonson, Ben. Timber, of Discoveries (selections); Dryden, John. Essay of Dramatic Poesy. (Norton Anthology of English Literature, vol. 1.) Johnson, Samuel. Preface to Shakespeare. (Norton)
Stern, Hawkes, Nuttall (1) Stern, Tiffany. Making Shakespeare: From Page to Stage. Routledge, 2004. 1-33, 137-161; Hawkes, Terence. `Or' in Meaning by Shakespeare. 11-41; Nuttall, A.D. Shakespeare the Thinker. 119-132
Hazlitt, Howard, Vickers (1): Howard, Jean E., ‘Crossdressing, The Theatre, and Gender Struggle in Early Modern England’, Shakespeare Quarterly 39 (1988) 418–40; Vickers, Brian, Appropriating Shakespeare: Contemporary Critical Quarrels (New Haven and London: Yale University Press, 1993)
Nuttall (2), Parker: Nuttall, 99-119. Parker, Barbara. A Precious Seeing: Love and Reason in Shakespeare's Plays. New York University Press, 1987.
Knight, Bradley, Cavell: Knight, G. Wilson. `The Othello Music' in The Wheel of Fire: Interpretations of Shakesperian Tragedy. Routledge, 1961. 97-119; Bradley, A.C. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. Macmillan, 1992; Cavell, Stanley, ‘Othello and the Stake of the Other’, in Disowning Knowledge in Six Plays of Shakespeare.
Cambridge University Press, 1987, or in Disowning Knowledge in Seven Plays of Shakespeare. Cambridge University Press, 2003. 125–142
Eliot, Knights, Jones: Eliot, T.S. `Hamlet and His Problems' in The Sacred Wood: Essays on Poetry and Criticism. Knights, L.C. `An Approach to Hamlet' in Some Shakespearean Themes and An Approach to Hamlet. Stanford University Press, 1959. 153-233
Tillyard, Greenblatt (1), Vickers (2): Tillyard, E.M. W. Shakespeare's History Plays. Penguin, 1969. 136-220; Greenblatt, Stephen ‘Invisible Bullets: Renaissance Authority and Its Subversion, Henry IV and Henry V ’, in Shakespearean Negotiations. University of California Press, 1988. 21–65, or in Political Shakespeare: New Essays in Cultural Materialism, ed. by Jonathan Dollimore and Alan Sinfield. Manchester University Press, 1985. 18-47; Vickers,
Van Doren, Felperin: Van Doren, Mark. Shakespeare. Doubleday, 1953. 271-280 ; Felperin, Howard, ‘ “Tongue-tied, our Queen?” The Deconstruction of Presence in The Winter’s Tale’ in The Uses of the Canon: Elizabethan Literature and Contemporary Theory. Oxford University Press, 1990. 35–55
Greenblatt (2): Greenblatt, Stephen, ‘Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century’, in
Learning to Curse: Essays in Modern Culture (New York and London: Routledge, 1990) 16–39
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