Semester | Spring Semester, 2020 | ||
Department | Freshman Class A, Department of English | ||
Course Name | Approaches to Literature | ||
Instructor | HSU LI-HSIN | ||
Credit | 3.0 | ||
Course Type | Required | ||
Prerequisite |
Course Objective |
Course Description |
Course Schedule |
Week 1: Introduction: Why study literature? Why study literature? Charles Dickens’ Hard Times (1854) Elizabeth Bishop’s “Geography” John Keats’ “On First Looking into Chapman’s Homer” Emily Dickinson’s “The Way I read a Letter's—this—” Housekeeping & Assigning presentations
Fiction Week 2: Plot (Fiction)William Faulkner’s “A Rose for Emily” Herman Melville’s “Bartleby, The Scrivener” Week 3: Narration & Point of View (Fiction)James Joyce’s “Araby” Ernest Hemingway's "Hills Like White Elephants" Week 4: Symbol & Theme (Fiction)Charlotte Perkins Gilman's "The Yellow-Wall Paper" (p.307) Joseph Conrad's "An Outpost of Progress" (1897)
Week 5: Setting (Fiction) Anton Chekhov’s “The Lady with the Dog”
Week 6: Character (Fiction) Week 7: Research break (Writing about literture) Sample Writing: Steven Matview’s “The Importance of Good Setting: How Setting Reflects Emotions in Anton Chekhov’s “The Lady with the Dog”
PoetryWeek 8: Sonnets, Shakespeare & SoliloquyBilly Collin's "Sonnet" John Donne’s “Batter my heart, three-personed God” Elizabeth Barrett Browning's "How Do I Love Thee" Shakespeare's Sonnets: "Shall I compare thee to a summer's day?" "My mistress' eyes are nothing like the sun" Drama: "Hamlet" soliloquy (1147-48) "HAMLET, PRINCE OF DENMARK" from Tales From Shakespeare, by Charles and Mary Lambs (1807)
Week 9: Mid-term Study Break/Essay due Week 10: Imagery & Symbols (Poetry)Emily Dickinson’s “Because I could not stop for Death--” and "Wild Nights--Wild Nights" Linda Pastan’s “Marks” William Blake's "Sick Rose" Dorothy Parker's "One Perfect Rose" Robert Burns' "A Red Red Rose"
Week 11: Voices & Setting (Poetry) Matthew Arnold’s “Dover Beach” Li-Young Lee’s “Persimmons” William Wordsworth’s “I wandered lonely as a cloud” Robert Frost's "Stopping by Woods on a Snowy Evening"
Helen Chasin’s “The Word Plum” Gerard Manley Hopkins’s “Spring and Fall” Dylan Thomas’s “Do Not Go Gentle into That Good Night” E. E. Cummings’ “l(a” Week 13: Theme & Tone (Poetry)Emily Dickinson’s “My Life had stood – a Loaded Gun--” (p.673) Countee Cullen’s “Yet Do I Marvel” (p.670) Sylvia Plath’s “Daddy” (p.702) Percy Bysshe Shelley’s “Ozymandias” (p.710) William Carlos Williams’ “This Is Just to Say” (p.558)
Drama Week 14: Elements of Drama (I)Susan Glaspell’s “Trifles” Week 15: Theme (Drama)Lorraine Hansberry’s “A Raisin in the Sun (p.918)” Week 16: Critical approaches IHenrik Ibsen’s “A Doll’s House”
Week 17: Research Break (Critical approaches II)Stephanie Ortega's "A Journey of Sisterhood"
Week 18: Final Exam week/Final essay due
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Teaching Methods |
Teaching Assistant |
N/A |
Requirement/Grading |
Class participation:15% Group Presentation: 15% |
Textbook & Reference |
Booth, Alison and Kelly Mays, eds. Norton Introduction to Literature. Portable 12th Edition. Norton, 2020.
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Urls about Course |
https://wwnorton.com/books/9780393420463 |
Attachment |